Spreadbeats

Spotify / FCB NEW YORK + FCB / New York + FCB / New York + FCB / New York
CREARCHIVE Score
658.4
SpotifySpreadbeats2024
Case Film
Campaign Images
BrandSpotify
AgencyFCB NEW YORK + FCB / New York + FCB / New York + FCB / New York
Award ShowCannes Lions
CategoryDIGITAL
Year2024
CountryUnited States
Description

Background: When you think of Spotify ads, what comes to mind? Ads in between songs? During podcasts? It’s safe to say that video ads aren’t your first thought. And that has consequences for our ad revenue. Media planners bucket us as an audio-only platform, an incremental element in the larger media plan. Creative Idea: To win over media planners, we brought Spotify’s video ad capabilities and its ROI superiority to the place where they spend the most time considering ad buys: their media plan spreadsheets. We created Spreadbeats. An eye- and ear-opening way to prove the power of combining video and audio in a medium perfectly tailored to its audience. We partnered with Coachella-headlining artist John Summit and coded a four-minute music video into the actual Excel spreadsheets Spotify’s salesforce sends to its clients. Millions of data points transformed into a stunning music video, turning rows and columns into a canvas that sprang to life when the file was opened. That’s right. Every music video contained a functioning RFP mediaplan. For the first time ever, we used Excel as an audio player. We stored the whole track, all as simple numbers and characters, in a spreadsheet. And we built a custom algorithm to sync it to the visuals. Insights & Strategy: Imagine you’re a media planner. Your job depends on your ability to show ROI. So it’s no wonder that when it comes to RFPing, you prioritize efficient go-tos like Meta and Google, old reliables like YouTube, and shiny objects like TikTok. Spotify just seems like a digital audio platform, and an expensive one at that. Not exactly a must-buy. But the thing is, Spotify is so much more than an audio platform. It has video and multiformat ads… it’s interactive, collaborative and highly engaging and its ROI goes way beyond numbers on a spreadsheet. To break through, we had to find a way to hack the RFP process and change the conversation… showing media planners and the entire marketing industry why Spotify Advertising goes beyond just plain digital audio. Objectives: Increase familiarity of our multi-format ad offering Drive relevance, consideration, and brand love Execution: For the first time ever, we used Excel as an audio player. We stored the whole track, all as simple numbers and characters, in a spreadsheet. And we built a custom algorithm to sync it to visuals. We coded the whole music video in one single Excel file of 10MB. Ironically, to do something this advanced, we had to take a trip back to the origins of data and algorithms. We used old compression methods and visualization techniques that hadn’t been used for many, many years, all in the spirit of economy. This was digital archeology. We didn’t just upload an existing music video into Excel, essentially using Excel as a media player. We built the whole music video from scratch in Excel, using built-in Excel functions like ASCII, Graphs, Unicode, and conditional formatting. We turned the very same functions media planners use every day into cutting-edge visualization methods. No AI was used, just human ingenuity and a lot of love. But all technology means nothing without an emotional connection and a story: We told the story of E7 — born in a rational world of numbers and data, where everything makes sense, but where something is missing. So one day she wakes up, and explores different visual worlds, on a journey to find herself and belong, taking on increasingly complex and beautiful forms along the way. To integrate the music video in their RFP media plans, Spotify salespeople could use a Spreadbeats generator. With the generator, they could customize music videos for each recipient by inputting their name, the brand they represent, and other relevant details.They could seamlessly deliver their real spreadsheet RFP responses alongside the music video by uploading them. People would receive a straightforward Excel file containing their RFP response along with the customized music video. Results: Spotify sought to grow ad revenue by challenging advertisers’ perception of the platform as audio- only. With video consumption on Spotify rising, we spotlighted our video ad offerings in a bold, unorthodox way. Leveraging our playful brand nature, we disrupted planners’ routines by running an ad on THEIR favorite platform—Excel spreadsheets. But we didn’t stop there: we created a music video that viscerally entertained, engaged, and delivered our message. The results? A 17:1 ROI, +5650% more email forwards than B2B average, and +870% ad engagement compared to our previous paid campaign, proving Spotify’s video ads are as compelling as the platform itself.

Awards
  • • Cannes Lions — DIGITAL CRAFT — Grand Prix
  • • The One Show — B2B Communications — Gold Pencil
  • • The One Show — Craft / Animation — Gold Pencil
  • • The One Show — Craft / Art Direction — Gold Pencil
  • • The One Show — Craft / Use of Technology — Gold Pencil
  • • The One Show — Creative Use of Data — Gold Pencil
  • • The One Show — Data Visualization / Dynamic / Responsive — Gold Pencil
  • • The One Show — Digital & Online — Gold Pencil
  • • The One Show — Digital & Online / Email & Newsletters — Gold Pencil
  • • The One Show — Innovation / Execution in Branded Entertainment — Gold Pencil
  • • The One Show — Innovation / Execution in Design — Gold Pencil
  • • The One Show — Innovation / Execution in Experiential & Immersive — Gold Pencil
  • • The One Show — Innovation / Execution in Interactive, Online, & Mobile — Gold Pencil
  • • The One Show — Innovation / Use of Media in Design — Gold Pencil
  • • The One Show — Innovation / Use of Media in Film — Gold Pencil
  • • The One Show — Innovation in Moving Image Craft — Gold Pencil
  • • The One Show — Innovation in Music & Sound Craft — Gold Pencil
  • • The One Show — Use of Technology — Gold Pencil
  • • The One Show — Animation / Single — Silver Pencil
  • • The One Show — B2B Communications — Silver Pencil
  • • The One Show — Craft / Use of Technology — Silver Pencil
  • • The One Show — Innovation / Execution in Creative Use of Data — Silver Pencil
  • • The One Show — Innovation / Execution in Direct Marketing — Silver Pencil
  • • The One Show — Innovation / Execution in Film — Silver Pencil
  • • The One Show — Innovation / New Ideas in Direct Marketing — Silver Pencil
  • • The One Show — Innovation / Use of Media in Public Relations — Silver Pencil
  • • The One Show — Innovation / Use of Media in Radio & Audio — Silver Pencil
  • • The One Show — Moving Image / Single — Silver Pencil
  • • The One Show — Innovation / Execution in Radio & Audio — Bronze Pencil
  • • The One Show — Innovation / Execution in Technology — Bronze Pencil
  • • The One Show — Innovation / New Ideas in Creative Use of Data — Bronze Pencil
  • • The One Show — Innovation / Use of Media in Technology — Bronze Pencil
  • • The One Show — Technology as a Creative Tool — Bronze Pencil
  • • The One Show — Craft / Use of Music — Merit
  • • The One Show — Craft / Use of Technology — Merit
  • • The One Show — Creative Use of Data — Merit
  • • The One Show — Custom Content — Merit
  • • The One Show — Innovation / Use of Media in Branded Entertainment — Merit
  • • The One Show — Long Form Video / Single — Merit
  • • The One Show — Music Videos — Merit
  • • The One Show — Targeted Video / Online — Merit
  • • The One Show — Use of Technology — Merit
  • • The One Show — Visual Effects / Single — Merit
  • • LIA — Branded Entertainment - Music Videos — Gold
  • • LIA — Design - Direct Marketing - B2B — Silver
  • • LIA — Ambient & Activation - B2B Communication — Bronze
  • • LIA — Evolution - Creative Technology — Finalist
  • • LIA — Creativity In B2B — Grand LIA
Credits
CEOEmma Armstrong
cityNew York
MixerDave Wolfe | Virginia Wright, Dave WolfeVirginia Wright
AgencyFCB / New York
EditorRafael Monti
AccountCamila Pires e Lu Krasa | Carol Cherobim, Camila Pires e Lu KrasaCarol Cherobim, Carol CherobimCamila Pires e Lu Krasa
entrantFCB NY
CreativeSimon Dolsten
DesignerElla Hyunjoo Ahn
DirectorRafael Monti Maldita | Vinicius Kluge Maldita, Rafael Monti MalditaVinicius Kluge Maldita
ProducerMaggie Norsworthy | Mauricio Kazu Yamashita, Maggie NorsworthyMauricio Kazu Yamashita, Mauricio Kazu YamashitaMaggie Norsworthy
AnimationColossal / Curitiba
Pixel artDidi Gameboy | Lucas Matheus | Marcelo Colmenero, Didi GameboyLucas MatheusMarcelo Colmenero, Lucas MatheusDidi GameboyMarcelo Colmenero
QA ProducerKevin Badaguas
2D AnimationAndré Ruivo | Gui Kirinus, André RuivoGui Kirinus
3D AnimationTiago Bahia
Finance DeptIza Lubiazi
Client / BrandSpotify / New York
Code AnimationTameem Sankari
Concept ArtistDiogo Saraiva | Fernando Molina | Gustavo Perg | Henri Kluge | Leandro Dexter | Thallison Diniz, Diogo SaraivaFernando MolinaGustavo PergHenri KlugeLeandro DexterThallison Diniz, Thallison DinizHenri KlugeDiogo SaraivaLeandro DexterFernando MolinaGustavo Perg, Henri KlugeThallison DinizDiogo SaraivaFernando MolinaGustavo PergLeandro Dexter
Head of DesignSy-Jenq Cheng
Music ProducerSilvio Erné
Technical LeadMatt Zur
VFX SupervisorDiogo Gameiro
Assistant MixerMichael Artuso
Creative CodersUncharted Limbo Collective / London
Design DirectorEric Benitez
Edit AssistantsEduardo Oliveira | Igor Angelo | Ricardo Varela, Eduardo OliveiraIgor AngeloRicardo Varela, Igor AngeloRicardo VarelaEduardo Oliveira, Igor AngeloEduardo OliveiraRicardo Varela
Motion GraphicsAdelir Cherry | Diego Loz | Gabriel Rocha | Lucas Santiago | Renan Santa Terra, Adelir CherryDiego LozGabriel RochaLucas SantiagoRenan Santa Terra, Lucas SantiagoRenan Santa TerraAdelir CherryDiego LozGabriel Rocha
Project ManagerSam Mark
Senior DesignerSimon Fernandes
Senior ProducerAlina Carrel | Rhea Phipps, Alina CarrelRhea Phipps
Managing DirectorStewart Warner | Suzanne Santiago, Stewart WarnerSuzanne Santiago, Suzanne SantiagoStewart Warner
Quality AssuranceHolland Flinn
Senior StrategistMichael Schonfeld
Executive ProducerCarol Masseti | Ed Hudson | Iris Fuzaro | Liana Rosenberg, Carol MassetiEd HudsonIris FuzaroLiana Rosenberg, Carol MassetiIris FuzaroLiana RosenbergEd Hudson
Front End DeveloperBobby Kegel
Senior Art DirectorVictoria Rocha
Mix and Sound DesignVictor Nogueira
Management SupervisorJessie Gwilt | Sydney Stein, Jessie GwiltSydney Stein, Sydney SteinJessie Gwilt
Chief Creative OfficerMichael Aimette
Chief Strategy OfficerTodd Sussman
Senior Project ManagerStefany Garcia
VP, Executive ProducerSachin Arora
Global Creative PartnerDanilo Boer
Head of Post ProductionDaniel Maia
Chief Production OfficerBenny Martin
Global Creative DirectorRichard Frankel
Pixel art & 2D AnimationGabriela Zanatta
Designers, Motion GraphicsGessica Secchi
Senior Integrated ProducerMargot Meyerhoff
Associate Creative DirectorMichael Demos | Pieter Claeys | Roxane Schneider | Tufan Guzeloglu, Michael DemosPieter ClaeysRoxane SchneiderTufan Guzeloglu, Roxane SchneiderPieter ClaeysTufan GuzelogluMichael Demos
Executive Creative DirectorEduardo Lubiazi | João Machado, Eduardo LubiaziJoão Machado, João MachadoEduardo Lubiazi
Head of Creative InnovationEli Ferrara
Post Production CoordinatorPamela Almeida | Yasmim Uehara, Pamela AlmeidaYasmim Uehara
Post-Production CoordinatorJessica Marques
SVP, Group Account DirectorTara Graff
Director of Business AffairsJanice Katz
SVP, Group Strategy DirectorKelsey Steele
Visual Artist & Project ManagerChris Waters
EVP, Executive Creative DirectorEduardo Tavares | Gary Resch, Eduardo TavaresGary Resch, Gary ReschEduardo Tavares
Music / Sound Production CompanyDaHouse Audio / Los Angeles
Head of Global Business MarketingGrace Kao
Post-Production Direction, EditorCaja Guedes
SVP, Head of Production & ContentNick Williams
Global Executive Creative ProducerJohn Bleeden
Technical Artist & Creative CodingPhilip Pappas
Global Business Brand Marketing LeadJessica Levinsohn
Music Producer, Mix and Sound DesignLucas Mayer
Post Production Coordinator AssistantNicole Lia Rêgo da Silva
Creative Coding & Software DevelopmentEleana Polychronaki
Global Director, Business Brand MarketingBridget Evans
Lead Creative Coding & Software DevelopmentGeorgios Adamopoulos
Post-Production Direction, Designers + Motion GraphicDenise Azzi
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