Crafting the One

General Motors / Droga5, Part of Accenture Song + The Elements Music
CREARCHIVE Score
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General MotorsCrafting the One2025
BrandGeneral Motors
AgencyDroga5, Part of Accenture Song + The Elements Music
Award ShowClio Music
CategoryAudio
Year2025
CountryUnited States
Description

General Motors’ latest brand film is a vivid reimagining of the factory floor as a recording studio - where every cinch of metal, lick of paint and line of code plays a role in composing something greater than the sum of its parts. The goal was to take an iconic song and completely dissect it - breaking it down stem-by-stem, using each piece of instrumentation to represent a different stage in GM’s manufacturing line. The process involved meticulous orchestration, sound design and choreography, culminating in a performance on the actual factory floor in Michigan—where we played aloud a set of newly refreshed and reworked stems, and coordinated the physical movements of each department with their respective instrument. Originally conceived by David Droga, the idea evolved over the better part of a decade, and would ultimately become his final campaign before retirement. Throughout the film, we’d see - and hear - each discipline at work, crafting and refining as if they were musicians in a songwriting session, playing and iterating in rhythm as they find their way to that perfect melody. As the car comes together, so does our song, joining in chorus as the engine roars to life. In the words of director Jovan Todorović - “the building of the car isn’t scored by the music; it is the music”. After an extended exploration, Elvis Presley’s ‘If I Can Dream’ emerged as our clear choice of song. Debuted as the powerful closing number of his iconic 1968 comeback special, the track’s stirring lyrics, the gravitas of Elvis’ voice, and the enduring image of the artist himself made it an ideal fit for the creative - and for a storied brand like GM. Further, unarchiving the original session from the revered Royal Philharmonic version allowed us to delve into an especially intricate orchestral arrangement, and assign an instrument to every point along the production line: clay-modeling would be our brass section, interior design and upholstery our drums, the audio-visual team our guitar, and of course, the engine - brought to life by Elvis’ unmistakable vocal. We methodically replayed and reimagined stems throughout, letting the story unfold slowly— mirroring a musician's process as they experiment with ideas and work through a part. These individual elements were then brought to the GM factory, where we thoughtfully choreographed the movements of each department, transforming the act of manufacturing into a performance art.

Awards
  • • Clio Music — Use of Music Innovation — Grand Clio
  • • Clio Music — Use of Music Craft / Arrangement — Gold
  • • Clio Music — Use of Music in Advertising / 61 Seconds to Five Minutes — Bronze
  • • Clio Music — Music & Sound - Music Adaptation - Song — Bronze
Credits
2DKyle Obley (Rascal Studio)
3DDaniel Westerland (Rascal Studio), David Wood (Rascal Studio), Romain Le Guillerm (Rascal Studio)
cityLos Angeles
BrandGeneral Motors
ElvisElvis
EditorMilena Z. Petrović (Exile Edit)
2D LeadPaul Wilmot (Rascal Studio)
entrantThe Elements Music
DirectorJovan Todorović (Smuggler)
First ADMatt Smith (Smuggler)
ProducerClaire McGirr (Smuggler)
SongwriterWalter Earl Brown
Additional VFXSlavko Gavric (Rascal Studio)
Entrant CompanyDroga5
Senior CreativeWill Halstead (Droga5), Christian Zerbel (Droga5)
Senior ProducerDanielle Beauvoir (The Elements Music)
Casting DirectorJessica Lyons (O’Connor Casting)
Music SupervisorMike Ladman (Droga5), Mara Techam (Droga5)
Wardrobe StylistKimmy Leitz
Composer/ArrangerVincent Pedulla (The Elements Music)
Creative DirectorMaria Kouninski (Droga5), Markus Lundqvist (Rascal Studio), Nick Maker (The Elements Music)
Editorial CompanyExile Edit
Managing DirectorSue Yeon Ahn (Smuggler)
Account SupervisorNichole Murdock (Droga5)
Advertising AgencyAccenture Song with Droga5
Executive ProducerPatrick Milling-Smith (Smuggler), Brian Carmody (Smuggler), Carlin Wilson-Webb (Smuggler), Imogen Pai (Rascal Studio)
Head of ProductionAlex Hughes (Smuggler)
Production CompanySmuggler
Hair/Makeup StylistRenata Stojcevski
Music/Sound CompanyThe Elements Music
Production DesignerMichael Moran (Smuggler)
Senior Art ProducerDagmar Wong (Droga5)
Co-Head of ProductionRuben Mercadal (Droga5)
Production SupervisorPaul “Pablo” Richards (Smuggler)
Senior Producer, FilmDylan Heimbrock (Droga5)
Chief Creative OfficerScott Bell (Droga5)
Commercial CoordinatorKaelyn Witherow (Smuggler)
Group Account DirectorRosalie Bonner (Droga5)
Chief Executive OfficerDavid Droga (Droga5)
Director of PhotographyPatrick Golan (Smuggler)
Group Strategy DirectorAndrew Quay (Droga5)
Post Production CompanyRascal Studio
Creative Project ManagerGerald Guevarra (Droga5)
Partner/Creative DirectorDan Bewick (The Elements Music), Ian Dalsemer (The Elements Music), J Bonilla (The Elements Music), Andy Carroll (The Elements Music)
Executive Creative DirectorGeorge McQueen (Droga5), Tom McQueen (Droga5)
Sr. Business Affairs ManagerAnn-Marie Turbitt (Droga5)
Global Chief Strategy OfficerEmma Montgomery (Droga5)
Creative Director/Artist PartnershipsNick Maker (The Elements Music)
Managing Director, North America Marketing Practice LeadSean Lackey (Droga5)
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