Thanks for Coke-Creating

The Coca-Cola Company / VML / New York
CREARCHIVE Score
169.3
The Coca-Cola CompanyThanks for Coke-Creating2025
Case Film
Campaign Images
BrandThe Coca-Cola Company
AgencyVML / New York
Award ShowThe One Show
CategoryDesign
Year2025
CountriesUnited States, Australia, Brazil, Mexico
Description

Background: The Situation: This project emerged as a response to the widespread presence of unofficial Coca-Cola logo interpretations found in bodegas, mini markets and mom-and-pop shops globally. In many markets — represented in this project by countries such as Australia, India, Indonesia, South Africa, Brazil, Mexico, and more — these unofficial versions hold significant cultural relevance, reflecting the local communities’ creativity and connection to the brand. The decision to collaborate with these shops and celebrate their artwork was a strategic move to honor their contribution to Coca-Cola’s cultural landscape. Against the backdrop of a globalized world, this initiative underscores Coca-Cola’s commitment to authenticity and inclusivity, resonating with diverse audiences while amplifying the brand’s cultural relevance. Brief: Strengthen the relationship with local markets and small shops by engaging with their local communities, while also highlighting them to a broader Coca-Cola audience. Objectives: Foster brand loyalty, strengthen community ties and amplify brand visibility through collaboration with local shops. Creative Idea: The natural path for a brand as big as Coca-Cola would be to regulate these unofficial versions of its branding. Standardize them. Maybe even take them down. But Coca-Cola has always been about diversity, inclusion and communities. So we decided to take an unconventional path for these unconventional versions of Coca-Cola. We decided to embrace them. A mural that could be seen as an incorrect creation by some will now be viewed as a co-creation with Coke. We showcased them in our official communication as a way of highlighting this behavior and validating hundreds of Coke-Creations. Saying out loud that they are not only welcome — in fact, we appreciate the time and effort that these shop owners and painters have put into the Coca-Cola brand. After all, as one of the media headlines on the project stated, these informal Coke logos are “the ultimate user-generated content.” Insights & Strategy: The natural path for a brand as big as Coca-Cola would be to regulate these unofficial versions of its branding. Standardize them. Maybe even take them down. But Coca-Cola has always been about diversity, inclusion and communities. So we decided to take an unconventional path for these unconventional versions of Coca-Cola. We decided to embrace them. A mural that could be seen as an incorrect creation by some will now be viewed as a co-creation with Coke. We showcased them in our official communication as a way of highlighting this behavior and validating hundreds of Coke-Creations. Saying out loud that they are not only welcome — in fact, we appreciate the time and effort that these shop owners and painters have put into the Coca-Cola brand. After all, as one of the media headlines on the project stated, these informal Coke logos are “the ultimate user-generated content.” Execution: We searched for local shops around the globe, including in Australia, India, Indonesia, South Africa, Brazil and Mexico. And we partnered with them to validate and showcase hundreds of Coke-Creations through outdoor, print, and social ads. We locally advertised them to their home audiences using media placements near the businesses. Then, in global markets, we showed to everyone — from our general audience to other small businesses — that it is OK to Coke-Create. Newly designed Coca-Cola cans, with the informal logos replacing the official one, came to life and were also delivered directly to their original “creators.” These informal logos generated a new design approach that redesigned the brand’s touch points: from fridges to vending machines, delivery trucks to merchandising — including a clothing collection. Finally, we created a book with nearly 30 different Coke-Creations, with fine-art photography of the shops and their owners to recognize these unexpected designers. Results: “Thanks for Coke-Creating" helped small businesses in a way they never thought possible. Moreover, it generated massive impact, garnering interest from top publications around the world such as AdAge and Fast Company, with a unique 3.78 billion reach, serving as a call to action to inspire everyone globally to continue Coke-Creating. Coca-Cola's celebration of unofficial logo interpretations resulted in a 95% increase in positive brand sentiment, a remarkable 34% increase over Coca-Cola's social average, underscoring the profound admiration the local communities and the general audience had for the campaign, all while enhancing Coca-Cola's reputation and reinforcing its commitment to authenticity and inclusivity. Interviews conducted with participants revealed that the project inspired shop owners to continue their creative expressions and fostered a sense of pride and ownership within their communities.

Awards
  • • The One Show — B2B Communications — Gold Pencil
  • • The One Show — Billboards & Transit / Series — Gold Pencil
  • • The One Show — B2B Communications — Silver Pencil
  • • The One Show — Craft / Art Direction — Silver Pencil
  • • The One Show — Integrated / Omnichannel Campaign — Silver Pencil
  • • The One Show — Physical Products & Apparel — Silver Pencil
  • • The One Show — B2B Communications — Bronze Pencil
  • • The One Show — Craft / Art Direction — Bronze Pencil
  • • The One Show — Non-traditional & Guerrilla Marketing — Bronze Pencil
  • • The One Show — Popular Culture Impact — Bronze Pencil
  • • The One Show — B2B Communications — Merit
  • • The One Show — Craft / Art Direction — Merit
  • • The One Show — Craft / Illustration — Merit
  • • The One Show — Craft / Typography — Merit
  • • The One Show — Innovation / New Ideas in Integrated / Omnichannel — Merit
  • • The One Show — Innovation / New Ideas in Out of Home — Merit
  • • The One Show — Integrated / Omnichannel Campaign — Merit
  • • The One Show — Promotional / Physical Product — Merit
Credits
PMODanielle Deschaine
AgencyVML / New York | VML Australia / Sydney | VML / São Paulo | VML / Kansas City | VML South Africa / Johannesburg | VML Mexico / Mexico City, VML / New York VML Australia / Sydney VML / São Paulo VML / Kansas City VML South Africa / Johannesburg VML Mexico / Mexico City, VML / New York VML / Kansas City VML / São Paulo VML Mexico / Mexico City VML South Africa / Johannesburg VML Australia / Sydney
EditorAlexandre Barreto | Megg Miranda | Rodrigo Assakawa | Bento Abreu | Rodolfo Sily, Alexandre BarretoMegg MirandaRodrigo AssakawaBento AbreuRodolfo Sily
AccountJessyca Lopes
DirectorDiego Locatelli | Gabriel Duarte, Diego LocatelliGabriel Duarte
ProducerAnderson Rocha | Bianca Aguiar | Cleo Gonçalves | Dario Casso | Francisco Gutierrez | Ian Inglez | Nadia González | Reinaldo Brasil, Anderson RochaBianca AguiarCleo GonçalvesDario CassoFrancisco GutierrezIan InglezNadia GonzálezReinaldo Brasil
CopywriterBreno Oliveira | Daniel Thomer, Breno OliveiraDaniel Thomer, Daniel ThomerBreno Oliveira
ProductionMurilo Paiva
Art DirectorPedro Assis | Guilherme Possobon, Pedro AssisGuilherme Possobon, Guilherme PossobonPedro Assis
Media AgencyEssenceMediacom / Mexico City | NÓS - Novo Outdoor Social / São Paulo, EssenceMediacom / Mexico City NÓS - Novo Outdoor Social / São Paulo
VideographerMustafa Khan
Film DirectorDiego Locatelli | Igor Selingarde, Diego LocatelliIgor Selingarde
Senior EditorMatias Canelson
Senior ProducerAborah Buick | Reinaldo Brasil, Aborah BuickReinaldo Brasil
Post CoordinatorMarcela Antunes
Creative DirectorDaniel Thomer | Guilherme Possobon, Daniel ThomerGuilherme Possobon
Director Brand PRAmy Selwood
Senior StrategistAlicia Garcia Carbonell
Executive ProducerAnkit Dahake | Rachel Rider | Paresh Shookan | Laura González | Gongy González, Ankit DahakeRachel RiderParesh ShookanLaura GonzálezGongy González, Ankit DahakeRachel RiderParesh ShookanGongy GonzálezLaura González
Head of ProductionNicole Godoy | Violeta Lopez | Wendy Machanik, Nicole GodoyVioleta LopezWendy Machanik
Production CompanyBALIPROD / Bali | Glitch Productions / Mumbai | Mango Films / Guadalajara | Neto+Shookan Productions / Johannesburg | Sugarcane Filmes / Sao Paulo, BALIPROD / Bali Glitch Productions / Mumbai Mango Films / Guadalajara Neto+Shookan Productions / Johannesburg Sugarcane Filmes / Sao Paulo
Still Photographer“Lenox” Fernando Siqueira Kunraht | Cláudio Lacerda | Vinny Campos | Kgomotso Neto, “Lenox” Fernando Siqueira KunrahtCláudio LacerdaVinny CamposKgomotso Neto
Group Design DirectorDan Searle
PR / Marketing AgencyOgilvy PR / London
RTVC Director, BrazilAnderson Rocha
Chief Creative OfficerDebbi Vandeven | Rafael Pitanguy, Debbi VandevenRafael Pitanguy
Director Legal CounselKarla Rodriguez
Production CoordinatorLilian Destefani
Director of PhotographyHeitor Pontes | Hugo Takemoto | Iván Aguila Orea, Heitor PontesHugo TakemotoIván Aguila Orea
Post Production CompanySugarcane Filmes / Sao Paulo
Global Head of ProductionGreg Lotus
Senior Executive ProducerAshwin Dsouza
Frontline Marketing InternSofia del Real Luna
Manager Director, StrategyClaudia Reeder
Associate Creative DirectorPedro Assis | Breno Oliveira, Pedro AssisBreno Oliveira, Breno OliveiraPedro Assis
Executive Creative DirectorGabriel Jardim | Guto Monteiro, Gabriel JardimGuto Monteiro
Chief Creative Officer, EMEAJaime Mandelbaum
Chief Creative Officer, LATAMNino Goldberg
Director / Still PhotographerDorian Ulises López Macías
Global Chief Creative OfficerDebbi Vandeven
Senior Manager Media PlanningFelipe Rudd | Maria Luisa Kruel, Felipe RuddMaria Luisa Kruel
Chief Creative Officer, MexicoLuis Enríquez Madruga
Global Chief Marketing OfficerManolo Arroyo
Head of Sales & Client ServicesGabriel Valença
Integrated Production SupervisorDenisse Zeigen
Music / Sound Production CompanyRaw Áudio / São Paulo
Executive Production / ProductionJanaina Mesquita | Murilo Paiva | Jasmyn Asvat | Josh Patil, Janaina MesquitaMurilo PaivaJasmyn AsvatJosh Patil
Agency In-House Production CompanyVML / São Paulo
Director / Director of PhotographyEldon Van Aswegen
Senior Manager, Coca-Cola CreativePauline Enahora
Senior Production Business ManagerBetty Greiner | Bobby Ruple, Betty GreinerBobby Ruple
Director Frontline Marketing BrazilMariana David
Executive Creative Director, BrazilRoberto Rogoski
Chief Creative Officer, Asia-PacificPaul Nagy
Director Creative Strategy for LATAMMariana Manso
President, Global Coca-Cola CategorySelman Careaga
Manager Media Real Time AmplificationMauricio Ospina
Senior Manager, Media Operations SouthKarina Langley
Senior Director Media Consumer & ShopperCarla Dart
Sr Content Director for Coca-Cola GlobalYugo Motta Aragao
Global Category Lead, Coca-Cola TrademarkKyla Jacobs
Global Chief Creative Officer, WPP Open XAndrew Keller
Global Client Lead, The Coca-Cola CompanyStephanie DeCelles
Senior Manager Frontline Marketing MexicoGonzalo Rodriguez
Senior Director Media Consumer and ShopperLuis Pedro Estrada
Client Engagement Director / Integration LeadKaylee Douglas
Senior Manager, Frontline Marketing AustraliaJack Basil-Jones
Director / Executive Production / PhotographerIgor Selingarde
Creative Group Director, Coca-Cola North AmericaAmy Manganiello
Director of Marketing Effectiveness & IntelligenceKrysten Gibson
Global Chief Strategy Officer, The Coca-Cola CompanyChase Cornett
Director/ Director of Photography / Still PhotographerAkshay Nair
Global VP Creative Strategy & Content for Coca-Cola TMIslam ElDessouky
Director / Director of Photography / Still PhotographerRomain Cailliez | Stefan Jose, Romain CailliezStefan Jose
Sr Director, Creative Strategy, Coca-Cola South PacificAdam Ross
Senior Director Creative Strategy for Coca-Cola TM LATAMLuciana Mendes
Global Senior Director, Content & Creative for Coca-Cola TMChase Abraham
Deputy Global Chief Creative Officer / Global Chief Creative Officer, The Coca-Cola CompanyRafael Pitanguy
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