OTHER HAND

CHEETOS / GOODBY SILVERSTEIN & PARTNERS SAN FRANCISCO + Goodby Silverstein & Partners + Goodby Silverstein & Partners + Goodby Silverstein & Partners
CREARCHIVE Score
119.7
CHEETOSOTHER HAND2025
Case Film
Campaign Images
BrandCHEETOS
AgencyGOODBY SILVERSTEIN & PARTNERS SAN FRANCISCO + Goodby Silverstein & Partners + Goodby Silverstein & Partners + Goodby Silverstein & Partners
Award ShowCannes Lions
CategoryINTEGRATED
Year2025
CountryUnknown
Description

Background: In recent years, the snack market has become increasingly competitive, with new brands offering more-nuanced flavors, varying intensity levels and healthier options to meet the evolving tastes of Gen Z and millennial consumers. As a legacy brand, Cheetos needed a way to stay relevant. The challenge: How could Cheetos breathe new life into its five-year-long-running campaign “It’s a Cheetos Thing” and stay top of mind in the increasingly crowded snack market? Creative Idea: By closely researching how hundreds of our consumers interact with Cheetos, we uncovered a staggering insight: 99% of them eat Cheetos with their dominant hand. For most brands, this stat wouldn’t mean much—but for Cheetos, it’s a game changer. It means that the hand people rely on most becomes completely covered in bright-orange Cheetos dust (a.k.a. Cheetle), forcing them to do everything else with their non-dominant hand. So we built an entire campaign around this simple yet relatable fact, showing what happens when people from all walks of life eat Cheetos with one hand and are left using their other, not-so-dextrous hand for everything else. And there was no shortage of hilariously relatable examples. Beyond reinforcing brand awareness, the campaign also highlighted another undeniable and relatable truth: Cheetos fans prioritize eating Cheetos over everything else, even if it leads to total chaos. Insights & Strategy: When we asked our consumers in research about their experience of eating Cheetos, we noticed a trend: Almost all of them ate Cheetos with their dominant hand, which meant they used their non-dominant hand to do everything else. From laundry to homework to their job, other tasks were relegated to the other hand so that Cheetos— and, more importantly, the delicious Cheetle—could be freely enjoyed. So when we arrived at the stat that “99% of people eat Cheetos with their dominant hand,” we put it front and center in our new campaign. Because most people think a lot about which snack they eat, but few think about how they eat it. Which led to a key question: What if we made people think about Cheetos by making them think about which hand they eat it with, and how they end up doing everything else with the other hand? Execution: Through a truly integrated campaign, we showed how this insight applies to all kinds of people—from barbers to surgeons to font designers to even NBA champion Jamal Murray. And across every execution, we used the same key stat: “99% of people eat Cheetos with their dominant hand. Even …” We launched with a TV campaign showing what happens when barbers, sketch artists, bakers, sports fans and dart players eat Cheetos with their dominant hand. Then, we showed what print ads and out-of-home media would look like if illustrators, calligraphers, photographers, ad copywriters and billboard installers had used their other hand. Next, we went viral with a billboard stunt in NYC, showing what happens when a driver tries to park their car using their other hand. And we made the Sphere in Las Vegas appear to be broken for the first time, as if its operator was using the other hand. But we didn’t stop there: We also created a brand-new font—designed entirely with the non-dominant hand—and made it available for people to download and use. And even more impressive? Thousands of people actually did. We even launched a Chrome Extension that replaced every font on the internet with the Other Hand Font. We also designed a limited-edition Cheetos bag, created entirely with the designer’s non-dominant hand, that we dropped in selected stores across the country and gave away to fans and influencers. Results: The response was overwhelmingly positive, with 100% positive or neutral sentiment. The campaign made headlines across hundreds of major media outlets—from TMZ to Fast Company—and even got picked up by meme accounts like @WhatIsNewYork, ultimately generating over 2.2 billion impressions and an 11.8 pt. lift in social awareness for the campaign on Meta. By highlighting our distinctive brand asset, we turned a simple behavioral insight into an entire campaign that made people think about the way they eat Cheetos. Which made them think about eating Cheetos. Which made them buy more Cheetos. Despite the savory-snack category declining by 0.58%, Cheetos sold 5,000,000 more bags (Cheetos core only) during the campaign compared to the prior period, growing its share in the category even amid the boom of new product releases. What started as an equity campaign evolved into a larger multiyear brand platform with many more executions to come.

Awards
  • • Cannes Lions — General — Bronze
  • • The One Show — Integrated / Omnichannel Campaign — Gold Pencil
  • • The One Show — Use of Humor — Gold Pencil
  • • The One Show — Billboards & Transit / Single — Merit
  • • The One Show — Packaging / Specialty / Limited Edition — Merit
  • • The One Show — Use of Humor — Merit
Credits
DPHarvey Glen
ColorPaul Byrne
AgencyGoodby Silverstein & Partners
EditorDave Anderson
2D LeadAnton Anderson
CEO PFNASteven Williams
ColoristTim Masick
DirectorHarold Einstein | Pedro Penna, Harold EinsteinPedro Penna
ProducerAlexis Galmin | Nirad Russell | Zack Stimell, Alexis GalminNirad RussellZack Stimell
PresidentBarry Rosen
2nd CameraEmilio Diaz
CopywriterPedro Furtado
EP/PartnerSila Soyer
StrategistAna Colicchio
Audio MixerTom Paolantonio
CMO PepsiCoHernán Tantardini
Art DirectorCale Berry | Fabio Leite Santoro, Cale BerryFabio Leite Santoro
Media AgencyOMD Media | VaynerMedia, OMD Media VaynerMedia
Founder & CEOLevi Eichenstein
Sr. VP, SalesJeremy Levine
Color ProducerRyan Moncrief
EP Live ActionJennifer Sargent
VFX GeneralistNuwan Gunarathne
Vice PresidentAnne Flavin | Courtney Fagan, Anne FlavinCourtney Fagan
Account ManagerCaroline Lee | Daniel Bradley-Villarini | Fallon Emmett, Caroline LeeDaniel Bradley-VillariniFallon Emmett
Assistant MixerJoey Glick
Color AssistantQuinn Wright | Stephen Winterhalter, Quinn WrightStephen Winterhalter
Project ManagerJames Murphy
Account DirectorCamille LeJeune | Christen Koribanics | Manuela Gould | McKenzie Badger | Megan Garner, Camille LeJeuneChristen KoribanicsManuela GouldMcKenzie BadgerMegan Garner
Assistant EditorChris Angel | Max Hoffman, Chris AngelMax Hoffman
Costume DesignerEsteban Arzate Galindo
Managing PartnerBrian McPherson
Post CoordinatorSiena Kuhn
Account ExecutiveNick DiPietro
Creative DirectorChris Greer | Daniel Righi | John Leonti | Nick Greenberg, Chris GreerDaniel RighiJohn LeontiNick Greenberg
Strategy DirectorSeva Mangat
Executive ProducerHillary Thomas | Sara Ward, Hillary ThomasSara Ward
Head of ProductionJim Haight
Lead Motion ArtistZach Seidner
Product SpecialistSteve Starkman
Production CompanyKollectiff | dummy., Kollectiff dummy.
Audio Post ProducerJustine Cortale
Outdoor AdvertisingRed Rock
Outdoor Media GroupOutdoor Media Group
Production DesignerPatrick Lumb
Trafficking ManagerRowena Cuejilo
Senior Post ProducerCece Melton
Director, Hey Presto!Tim Bathurst
Production SpecialistLauren Renz
Chief Creative OfficerChris Bellinger | Margaret Johnson, Chris BellingerMargaret Johnson
Group Account DirectorChris Nilsen | Shanley McClure | Travis Culver, Chris NilsenShanley McClureTravis Culver
Production CoordinatorEkta Joshi
Chief Marketing OfficerBrett O'Brien
Director of PhotographyGlynn Speeckaert
Group Strategy DirectorCassidy Wilber
Post Production CompanyArcade Edit | Company 3 | Hey Presto! | The Mill, Arcade Edit Company 3 Hey Presto! The Mill
Business Affairs ManagerHowie Mapson
Director, OOH InvestmentStaci Schutze
Assistant Account ManagerCaleb Mahlungulu | Katie Pellegrini | Kevin Hyde | Maggie Greene, Caleb MahlunguluKatie PellegriniKevin HydeMaggie Greene
Executive Design DirectorRyan Self
Director, Media InvestmentKelly Ward
Associate Creative DirectorChris Magura | Katie Haller, Chris MaguraKatie Haller
Business Affairs SpecialistYelena Kompaneyets
Director, Consumer InsightsBrodie Dunn
Executive Creative DirectorBen Therrien | Eamonn Dixon | Isaac Silvergate | Stefan Copiz, Ben TherrienEamonn DixonIsaac SilvergateStefan Copiz
Sound Designer/Mix EngineerSteve Rosen
Director of Business AffairsJudy Ybarra
Manager, Brand CommunicationsLindsey Smith
VP, Experiential + InnovationJeff Rynkiewicz
Creative Production ManagementDirect Focus, Inc
Global Brand Strategy DirectorAlan Stout
Communication Strategy DirectorJacob Sperla
Head of Studio, Omnicom StudiosMichael Damiani
Partner, Head of Brand StrategyBonnie Wan
Manager, Cheetos Brand MarketingHannah Sheffield
Music / Sound Production CompanySonic Union
Director, Cheetos Brand MarketingHana Golden
Regional Director, OOH InvestmentSusan Rezmovic-Cohen
Agency In-House Production CompanyOmnicom Studios | Omnicom Production, Omnicom Studios Omnicom Production
Manager, Operations + ExperientialJade Jetjomlong
Associate Director, Media InvestmentRachel Jadis
Associate Manager, Consumer InsightsWill Passera
Executive Director, Media InvestmentMonica Wiedemann
Senior Analyst, Brand CommunicationsElly Hayn
Executive Director, Client LeadershipMarisa Polin
Senior Director, Brand CommunicationsDan Cohen
Brand Manager, Cheetos Brand MarketingParker Finlinson
Partner, Head of Communication StrategyChristine Chen
Sr. Director, Integrated Media PlanningKatelyn Muchowski
Senior Director, Cheetos Brand MarketingFlavia Simoes
Branded Content and Marketing CommunicationsKetchum / New York
Senior Vice President, Frito-Lay Core BrandsTina Mahal
Associate Director, Integrated Media PlanningAllie Gordon
Director, Post Production and Creative TechnologiesKyle Craner
ShareXIN